




3ã€ã®ç¡æãœããã£ãã¯ã»ãã¬ãã·ã³ã°é³å£°ããåãåãããã ããŸãã
æ¬æ¥ã®ãã¿ãšã¬ã¯ãåãªã身äœã®ç·Žç¿ã§ã¯ãããŸãããã¢ãŒãµãããã©ãŒããŒã€ãŒããã ãã©ãŒããã³ãã©ãã¯ãªã€ãŒããããŠãªã©ã¯ãŒãŒã·ã§ã³ãéããŠãåãšããŠã®èªåãç¡éãžãšèª¿åãããŠãããå æ¬çãªäººéã®ããã®å¡æºã§ãã
ãšã¬ããŒãã©ããŸããã¯ããããææ³ãšããŠååšããŠããããã§ã¯ãããŸãããé·ãããã ãããã¯ãäŒæ¯ããæèãã®ç¥èãªç¶æ ãšããŠèªãããŠããŸãããå®å šã§ãå ã«æºã¡ãæ¬ ãã®ãªãããæ¹ã§ãããã®ãã¬ãŒãã³ã°ã§ã¯ããã®ç¶æ ãã®ãã®ãšããããžæ»ãããã®å®è·µçãªéçã®äž¡æ¹ãåŠã³ãŸãã
å€å žã¿ã³ãã©ã®æ žå¿ã«ããåãæ°ã¥ãããããŸããæèã¯ãã€ããäžãããã®ã§ã¯ãããŸããããã§ã«ããªããããã§ãã
ãŠããã®The Yoga Barnã§éãã21æ¥éãå匷ããšãã«ã®ãŒãšçãããšã¬ã³ãã¥ããã£ã§ç¥ããããã®å Žæã§ããã¿ãããŒãã©ããããŠå€å žã¿ã³ãã©ã®3ã€ã®æ±ã«æ·±ã浞ã£ãŠãããŸãã
ãã¿ã¯ãããŒãºã ããæããã®ã§ã¯ãããŸãããèªåã®å åŽã§ç¥èãªçµ±åãè²ãå®è·µã§ãã
ãã®ãã¬ãŒãã³ã°ã¯ãHatha Yoga PradipikaãGheranda SamhitaããããŠã«ã·ããŒã«ã»ã·ãŽã¡æŽŸã®éäºå ã®èŠç¹ãªã©ãå€å žçãªç³»èã«æ ¹ãããŠããŸãã
ãšã¬ããŒãã©ã¯2ã€ã®åŽé¢ããæ¢ç©¶ããŸããã²ãšã€ã¯æ¬æ¥ã®ååšç¶æ ãšããŠãããã²ãšã€ã¯ãç®ãéããåŒåžããããããå šèº«ããããšããšããã«ãããã®ããžãšæ²ãã§ãããæ·±ãäŒæ¯ãå°ãæŽç·Žãããæ¹æ³ãšããŠã§ãã
200æéãYoga Allianceã«æ£åŒç»é²æžã¿ã§ããä¿®äºåŸã¯ãåœéçã«RYT-200ãšããŠç»é²ããè³æ ŒãåŸãããŸãã
Haã¯å€ªéœãThaã¯æããã®2ã€ãåºäŒããšããã«å®è·µããããŸãã
ã²ãšã€ã®èº«äœãã²ãšã€ã®åŒåžããµãã€ã®æµãã調åãžãšå°ãããšã
ãã¿ã¯ãäžéã®ããã®ææ®µã§ã¯ãªããç®èŠãã®ããã®å®å šãªæè¡ã§ããèº«äœæ§é ãåŒåžããšãã«ã®ãŒããããŠå¿ã«ãŸã§åããããŸããããã§æ±ã6ã€ã®å€å žçå®è·µã¯ãäœäžçŽã«ãããã£ãŠçãç¶ããŠããæç®ã«ç±æ¥ããŸãã
ããããã®å®è·µããæããããã®ããŒã«ãšããŠåŠã¶ã®ã¯ãåªããæå°è ã«ã¯å šäœåãå¿ èŠã ããã§ãã
ã¯ã©ã¹ã«ã¯å§ãŸãããããçµããããããŸããã©ãå§ããããã©ãéãããã¯åããããéèŠã§ãããã®ãã¬ãŒãã³ã°ã§ã¯ãå°çã®æè¡ãšãææŸããŠããæè¡ã®äž¡æ¹ãåŠã³ãŸãããªã©ã¯ãŒãŒã·ã§ã³ã¯æ±ºããŠä»ãè¶³ãã§ã¯ãªããå®è·µãçå°ããå Žæã§ãã
Asana. The Posture Science. ç«äœã座äœãä»°åãããã€äŒããé転ãåŸå±ããã€ã¹ããåå±ã®åã«ããŽãªãŒã«ããããå€å žçãã€æ©èœçãªã¢ãŒãµããåŠã³ãŸããã¢ã©ã€ã¡ã³ããå®å šãªã·ãŒã¯ãšã³ã¹ãä¿®æ£ããã³ãºãªã³ã¢ãžã£ã¹ããæå³ãæã£ãå§ãæ¹ãšçµããæ¹ãæ±ããŸãã
Pranayama. The Breath as Vehicle. ããŒãã£ãŒã»ã·ã§ãŒãããã«ããŒã©ããŒãã£ããã©ãŒããªãŒããŠãžã£ã€ãŒãã·ãŒã¿ãªãŒãã·ãŒãã«ãªãŒããã¹ããªã«ãŒããµãã»ãŽãªããã£ããããŠæ¯æ¢ãã®ç§åŠãŸã§å«ããå€å žçãªãã©ãŒããŒã€ãŒãã®äœç³»ãåŠã³ãŸããå®å šãªå°å ¥æ¹æ³ãšãã»ãã·ã§ã³ã®å§ããšçµããã§ã®æŽ»çšæ³ã身ã«ã€ããŸãã
Mudra. The Language of the Hands. ãã¹ã¿ã»ã ãã©ãŒãã«ã€ã»ã ãã©ãŒãããã»ã ãã©ãŒããã³ãã»ã ãã©ãŒãåŠã³ãŸãããããã®å€å žçãªæäœãã©ã®ããã«ãã©ãŒããå°ããæ¹åã¥ããã®ãããŸãã¢ãŒãµãããã©ãŒããŒã€ãŒããçæ³ãžã©ãçµ±åããããæ¢ããŸãã
Mantra. Sound as Structure. æ¯åãå ±é³Žãç¥çµç³»ãããŒãžã£ã»ãã³ãã©ããµã³ã¹ã¯ãªããçºé³ããããŠé³ã§ã¯ã©ã¹ãå§ããéããæ¹æ³ãåŠã³ãŸãããžã£ããçæ³ã®æ¯ããšããŠæ¢ç©¶ããŸãã
Kriya. The Purification Practices. ãã©ãŒã¿ã«ãããŒãã£ãã¯ãªã€ãŒãšããŠã®ã«ããŒã©ããŒãã£ãã¢ã°ããµãŒã©ãå«ãå€å žçãªã·ã£ããã«ã«ãããäžå¯§ãªæèãšãšãã«å°å ¥ããŸãã
Relaxation. Opening and Closing the Space. ãã¹ãŠã®ã»ãã·ã§ã³ã®å§ãŸããšçµããã«çšããäœç³»çãªãªã©ã¯ãŒãŒã·ã§ã³ã§ããããã£ã¹ãã£ã³ãããã°ã¬ãã·ãçåŒç·©æ³ã61ãã€ã³ããåŒåžãžã®æ°ã¥ããã»ã³ã·ã³ã°ææ³ãå«ã¿ãŸãã
ææ³ã«ãªãåãããã¯ååšã®ç¶æ ã§ããã
æå€ã®æãã§ã¯ãäžçã®æ¶æ» ãšååµé ã®ããã ã§äŒããŽã£ã·ã¥ãã®æèãšããŠã女ç¥ããŒãã©ãèªãããŠããŸããããã«ã¯ãäœã²ãšã€æ¬ ããŠããªãå®å šæ§ããããŸãã
æ¹æ³ã¯ããã®å Žæãžæ»ãããã®éããã¹ã§ãã
èŠéãšç ãã®å¢çã§ãæèã¯ããããã身äœã¯éãŸããåŒåžã¯ãã£ããã«ãªããæèã¯éãããŸãŸåšãç¶ããŸãããã®ãã¬ãŒãã³ã°ã§ã¯ããšã¬ããŒãã©ãå人ã®å®è·µãšããŠããæå°ã®ããã®ææ®µãšããŠãåŠã³ãŸãã
The State and the Method. ãšã¬ããŒãã©ãäœéšããããšãšããããå°ãããšã®éããåŠã³ãŸãããã¿ã身äœãæŽãããã©ãŒããŒã€ãŒããåŒåžãæŽããããŒãã©ãéããããã®ãåãåãæµããçè§£ããŸãã
The Classical Stages. 身äœã®ãªã©ã¯ãŒãŒã·ã§ã³ãæèã®å転ãåŒåžãžã®æ°ã¥ãã察極ã®ãã¢ããŽã£ãžã¥ã¢ã©ã€ãŒãŒã·ã§ã³ããµã³ã«ã«ãããããŠåž°éãåæ®µéãäžå¯§ã«åŠã³ãæçµçã«ã¯æèŠããæããããããã«ãªããŸãã
The Sankalpa. å¢çã«çœ®ããå¿ããã®æ±ºæã§ããåè¬çãæ¬åœã«èªåã«åã£ããå°ã«è¶³ã®ã€ãããµã³ã«ã«ããèŠã€ãããµããŒããåŠã³ãŸãã
The Voice. ãã³ããããŒã³ãéãæ²é»ãç¶æ ã®å åŽããå°ããªãããå Žãäžå¯§ã«èªãæ¹æ³ã身ã«ã€ããŸãã
Nidra Across Contexts. äžè¬ã¯ã©ã¹ãã»ã©ããŒããã©ãŠããç¡ç ãåŠåš ãçæ®åšæã匷ãå®è·µã®åŸã®çµ±åã®ããã®ãšã¬
Emily

F7M8+PVG, Jl. Sukma Kesuma, Peliatan, Kecamatan Ubud, Kabupaten Gianyar, Bali 80571, Indonesia
ã®ã£ãã£ãŒã«ç
äŸ¡æ Œ
$2,995.00
9æ26æ¥(å) â 10æ16æ¥(é)